Responses

I’m working on a English exercise and need support.

Responses (four) should be substantive and thoughtful, but they need not be formal. They should be in standard written English, though, not text-speak. You are welcome to comment “I totally agree with you, Jane” or “Great point, Bill” but these will not be considered substantive enough for credit. Responses should expand on a point, disagree with a point, compare or contrast to another passage or text, or explore a new way to look at the craft point. Make sure you read all the responses before yours, and please refer to others who have responded before you by name when appropriate (e.g., “Although I agree with what Susie said about Wallace’s repetition, I think what he was really after was a sense of . . . .” ). Do not simply repeat a response that has been submitted before yours. This would be plagiarism.

1-In The Rose Metal Press Field Guild to Writing Flash Nonfiction, Dinty Moore writes, “The advent of blogs, Facebook, Tumblrs, and Twitter seems to validate the idea that shorter chunks of prose are more enticing to users of these new technologies.” These platforms work hand in hand with brief essays. I believe this style of writings has helped make social media what it is today. With a character limit, messages have been conveyed through social media in the shortest ways possible. With this being the case, how have brief essays contributed to the short attention spans of social media users, for instance?

a guy responded to that with:

Brief essays have contributed to the short attention span of social media users by giving them the expectation of it being short. Tweets, captions, and even YouTube videos have shortened over time, and this has caused others to automatically assume that everything is very quick and short. I, for one, know that I have trouble focusing on things for long periods of time. My parents are avid movie watchers, and I can never seem to be able to sit through one without multitasking. It’s like my brain can’t handle focusing on one thing for more than a certain period of time. Our culture has transformed into one that is fast-paced, and always pushing forward. It’s as if people have lost the art of taking things slow, and brief essays is just one example of that.

2-In the book of Dinty Moore, the Rose Metal Press Field Guild to Writing Flash Nonfiction, Rigoberto Gonzalez says, “the labor in writing flash nonfiction will not be taxing if the writer has three necessary ingredients; a memory charged by an emotional experience, an image…that bounds to that memory, and editor’s chisel to chip away at all excess details…”

The first critical elements in writing nonfiction flash cannot be difficult if the writer has a memory that is charged by emotional experience. Gonzalez says that the emotion should be of value to a person in a way that it enables a person to ask critical questions like who, why, when, how, and what without investigating them which is critical in helping in the accomplishment of the second process of developing images that relate to the memory. That way, a person get a better understanding of a certain memory, the emotions evolving them, and reasons behind the emotional response. With all these details, it helps a person determine the most useful information that will capture or precisely explain it while leaving the unnecessary information out. The three elements show a strategy that a person can utilize it to make sure they capture the memories reflecting a significant outcome in their lives while writing flash nonfiction.

One thing that a person has to ask themselves in development of the three stages is; how does one determine the information to omit or include in a memory that will efficiently express the intended message in the nonfiction flash?

a guy responded to that with:

To determine the information you want to include, you must emotionally distance yourself from any reoccurring emotion that resurfaces because of the topic. That way, you go into the writing process with a clear mind.

3-In The Rose Metal Press Field Guide to Writing Flash Nonfiction, Carol Guess states that “Compression is the art not only of crafting minimalist lines, but also of capturing a long story by honing in on a moment or detail.” This shows us that we can take big moments and boil them down to small ideas, small messages. These messages can be meaningful and can be used as a lesson that help influence others. Has there been a moment in your life where you used a personal experience to aid someone you know? Was it a metaphor? Do you think you helped them in the end? Explain.


4-In River Teeth, Anne panning writes, “My father dreamed of wearing a white suit on his last day of work at Medallion Kitchen cabinet factory.” She continues to write her father’s exact words, “so if you ever see one at a thrift store, Annie,” he said, “Buy it for me, okay?” I think this quote is used as a stylistic device of flash forward. The author uses it as a tool for creating suspense in her essay. I think the quote works well to ensure that a reader is eager to know why the author’s father needs a white suit. As a result, the author uses the quote skilfully at the beginning of the short essay.

Regarding her style, I think the short essay will satisfy the reader’s curiosity without necessarily having to read a lot of information. In my opinion, her strategy of using the words is valid and it works the imagination of a reader. If she had failed to use the words, a reader would have been left with questions about the meaning of the essay. What would have happened if the author ignored to follow up on the quote? What if the writer had ignored the opening sentence?


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