Discussion

I’m studying and need help with a Music question to help me learn.

1-2 paragraph posting for each discussion

Discussion 1:

Listen to Paul Desmond’s Take Five performed by the Dave Brubeck Quartet, and consider the following questions:

https://open.spotify.com/track/01kcNG2bUzkBu2nz3Juabd?si=9nEEQPCvQA-F65HHBXPlSg

  1. The order of solos in this piece is: Desmond, Morello. Listen to the recording and provide counter numbers for the beginning and end of the two solos. Describe their solo styles. Provide detail of how they phrase or create musical lines over the two-chord vamp.
  2. A vamp is a chord or a short series of chords that are repeated. The vamp in this piece is one 5/4 bar length and is played between the piano and bass. What is your impression of this piece? How does the 5/4 meter of this piece sound different from the 4/4 meter of most other pieces you have heard?
  3. How would you compare/contrast the solo style of Desmond with that of Charlie Parker? How would you compare/contrast Morello’s solo style with that of drummer Max Roach and his solo in Ko-Ko? How do these cool soloists differ from their bebop and earlier swing counterparts?

https://open.spotify.com/track/4FSDfXVrRDWyVYnSKVYEGw?si=8lZImuZmRyGIfsCsqQKoQg

Discussion#2:

Miles Davis’ mid-50s quintet, along with groups led by Art Blakey, Horace Silver, and Sonny Rollins, was one of the early standard bearers of hard bop. In this discussion, we listen to Miles Davis’ version of Cole Porter’s Love For Sale. Joining Miles on the front line is tenor saxophonist John Coltrane, who came to prominence at this time in association with Davis, and alto saxophonist Cannonball Adderley. On Love For Sale, Miles takes a Cole Porter ballad and plays it up-tempo, continuing to establish a “straight-ahead” style of hard bop that remains influential in contemporary jazz today.

Listen to Love For Sale, and consider the following questions:

https://open.spotify.com/track/4FzClnYRlFK9i5Oj6GZe5P?si=_24NBiIwQeiOmmRHqTewAg

  1. The order of solos in this piece is: Davis, Adderley, Coltrane, Evans. Regarding the solos of Adderley and Coltrane: Listen to the recording and provide counter numbers for the beginning and end of these two solos. Compare and contrast the solo styles, and describe them. Listen to how they phrase or create musical lines over the chord changes. Try to include some detail.
  2. How would you compare/contrast the solo style of Adderley with that of bebop alto saxophonist Charlie Parker?
  3. How would you compare/contrast the solo style of Coltrane with that of swing tenor saxophonist Lester Young?
  4. Now listen to how Bill Evans phrases during his solo that begins at 07:41 and ends at 10:11. Describe his style. What makes Evans different from other pianists you’ve heard?

Discussion #3:

John Coltrane is another giant of jazz. We’ll hear one of excellent works as leader from 1957 to 1964. Coltrane underwent an evolution in his creative style over these years, both as composer and performer. Yet, there is an aspect of Coltrane’s performance artistry that remains distinctly identifiable throughout his career. Remarkably, his music would evolve further in the last three years of his life (1964-1967) into the realm of free jazz.

Listen to Coltrane’s My Favorite Things, and consider the following questions:

https://open.spotify.com/track/2JOEPbuwVf0nafGnMSVEhH?si=ZY3Tm5gXTR2qfOW3UiiQUA

  1. The order of solos in this piece is: Coltrane (melody), Tyner, Coltrane. Regarding the solos of Coltrane and Tyner: Listen to the recording and provide counter numbers for the beginning and end of these two solos. Note: Tyner plays the A section and then “vamps” with the pedal point in the bass before he begins to solo. A vamp is when one or two chords are repeated, usually with a pedal point. Describe their solo styles. Listen to how they phrase or create musical lines over the chord changes. Try to include some detail.
  2. Do Tyner and Coltrane solo on the chord changes of the melody? What are the modal characteristics of the solo sections of this piece?
  3. Coltrane worked with many influential pianists such as Monk, Flanagan, and Evans. What makes McCoy different from these other pianists?
  4. Tyner makes use of quartal harmony and repeating patterns. Quartal harmony is chords constructed in 4ths rather than 3rds. Describe how this sounds.
  5. Describe the rhythmic feel of drummer Elvin Jones and bassist Davis during Coltrane’s solo. Would you describe the style of these soloists as bop, hard bop, modal, elements of all or something else? Explain in detail using what you’ve learned from the course lessons about these particular styles.


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